{"id":5954,"date":"2026-07-16T14:56:29","date_gmt":"2026-07-16T14:56:29","guid":{"rendered":"https:\/\/www.txtilezine.com\/?p=5954"},"modified":"2026-07-16T15:03:53","modified_gmt":"2026-07-16T15:03:53","slug":"monumental-and-ethereal-the-natural-sensitivity-of-yu-wen-fu","status":"publish","type":"post","link":"https:\/\/www.txtilezine.com\/en\/monumental-and-ethereal-the-natural-sensitivity-of-yu-wen-fu\/","title":{"rendered":"MONUMENTAL AND ETHEREAL, THE \u201cNATURAL SENSITIVITY\u201d OF YU WEN-FU"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>| by Elena Redaelli |<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Pingtung, wind is a constant presence. At the sites of the Luo Shan Feng Arts Festival, gusts arrive suddenly and relentlessly, slipping through narrow streets, under shop shutters, and into the cracks of old houses facing the coast. It was there that I first saw one of Yu Wen-Fu&#8217;s woven bamboo works in progress: an organic membrane of culms and slats wrapping around the surviving walls, embracing the architecture&#8217;s voids and making the wind&#8217;s direction visible.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This relationship between place, structure and air is a hallmark of his practice. It runs through the Taiwanese artist&#8217;s work from his early projects to his large-scale installations. Yet, as he himself recounts, it begins much earlier, in a small town in central Taiwan, in Nantou County.<\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"724\" src=\"https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/07\/piume-1024x724.jpg\" alt=\"\" class=\"wp-image-5948\" srcset=\"https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/07\/piume-1024x724.jpg 1024w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/07\/piume-300x212.jpg 300w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/07\/piume-768x543.jpg 768w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/07\/piume-1536x1086.jpg 1536w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/07\/piume-2048x1448.jpg 2048w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/07\/piume-1140x806.jpg 1140w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;In Zhushan, my father was in charge of a factory that produced bamboo craft objects,&#8221; he recalls. &#8220;From childhood (1971 to 1983), I lived surrounded by a great variety of woven baskets. Inside the factory, piles of bamboo were processed into slats and then turned into baskets. That was my everyday life. Even though I was still a child, by carefully observing all the stages of production, how the different departments divided up the tasks and finally put everything together to obtain the finished product, it became natural for me to understand the material and the techniques to work with it.&#8221;<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">FULL ARTICLE IS INCLUDED IN\u00a0<strong>ATLAS \u2013 CHAPTER ONE<\/strong>, AVAILABLE FOR PURCHASE AT\u00a0<strong><a href=\"http:\/\/www.al3vieatc.com\/SHOP\/ATLAS-CAPITOLO-UNO\/\">WWW.AL3VIEATC.COM\/SHOP\/ATLAS-CAPITOLO-UNO\/<\/a><\/strong>\u00a0OR BY CLICKING ON THE COVER<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/www.al3vieatc.com\/en\/shop\/atlas-chapter-one\/\"><img loading=\"lazy\" decoding=\"async\" width=\"732\" height=\"1024\" src=\"https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing-732x1024.jpg\" alt=\"\" class=\"wp-image-5519\" style=\"aspect-ratio:0.714867274501228;width:387px;height:auto\" srcset=\"https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing-732x1024.jpg 732w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing-214x300.jpg 214w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing-768x1075.jpg 768w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing-1097x1536.jpg 1097w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing-1463x2048.jpg 1463w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing-1140x1595.jpg 1140w, https:\/\/www.txtilezine.com\/wp-content\/uploads\/2026\/05\/copertina-atlas-rilievo-ing.jpg 1772w\" sizes=\"auto, (max-width: 732px) 100vw, 732px\" \/><\/a><\/figure>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>| by Elena Redaelli | In Pingtung, wind is a constant presence. At the sites of the Luo Shan Feng Arts Festival, gusts arrive suddenly and relentlessly, slipping through narrow streets, under shop shutters, and into the cracks of old houses facing the coast. It was there that I first saw one of Yu Wen-Fu&#8217;s woven bamboo works in progress: an organic membrane of culms and slats wrapping around the surviving walls, embracing the architecture&#8217;s voids and making the wind&#8217;s direction visible. This relationship between place, structure and air is a hallmark of his practice. It runs through the Taiwanese artist&#8217;s work from his early projects to his large-scale installations. Yet, as he himself recounts, it begins much earlier, in a small town in central Taiwan, in Nantou County. &#8220;In Zhushan, my father was in charge of a factory that produced bamboo craft objects,&#8221; he recalls. &#8220;From childhood (1971 to 1983), I lived surrounded by a great variety of woven baskets. Inside the factory, piles of bamboo were processed into slats and then turned into baskets. That was my everyday life. Even though I was still a child, by carefully observing all the stages of production, how the different departments divided up the tasks and finally put everything together to obtain the finished product, it became natural for me to understand the material and the techniques to work with it.&#8221; FULL ARTICLE IS INCLUDED IN\u00a0ATLAS \u2013 CHAPTER ONE, AVAILABLE FOR PURCHASE AT\u00a0WWW.AL3VIEATC.COM\/SHOP\/ATLAS-CAPITOLO-UNO\/\u00a0OR BY CLICKING ON THE COVER<\/p>\n","protected":false},"author":10,"featured_media":5944,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-5954","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"| by Elena Redaelli | In Pingtung, wind is a constant presence. At the sites of the Luo Shan Feng Arts Festival, gusts arrive suddenly and relentlessly, slipping through narrow streets, under shop shutters, and into the cracks of old houses facing the coast. It was there that I first saw one of Yu Wen-Fu&#039;s\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Elena Redaelli\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.txtilezine.com\/en\/monumental-and-ethereal-the-natural-sensitivity-of-yu-wen-fu\/\" \/>\n\t\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.3\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"txtilezine -\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"MONUMENTAL AND ETHEREAL, THE \u201cNATURAL SENSITIVITY\u201d OF YU WEN-FU - txtilezine\" \/>\n\t\t<meta property=\"og:description\" content=\"| by Elena Redaelli | In Pingtung, wind is a constant presence. 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