{"id":6329,"date":"2026-09-23T08:43:24","date_gmt":"2026-09-23T08:43:24","guid":{"rendered":"https:\/\/www.txtilezine.com\/?p=6329"},"modified":"2026-09-23T08:58:42","modified_gmt":"2026-09-23T08:58:42","slug":"emma-talbot-ancestral-energies-transformations-of-mind-and-matter","status":"publish","type":"post","link":"https:\/\/www.txtilezine.com\/en\/emma-talbot-ancestral-energies-transformations-of-mind-and-matter\/","title":{"rendered":"EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER"},"content":{"rendered":"\n

21Art Padova<\/strong> presents Ancestral Energies. Transformations of Mind and Matter<\/strong>, a solo exhibition by Emma Talbot (Stourbridge, 1969), one of the most original voices in British art and winner of the Max Mara Art Prize for Women in 2020.<\/p>\n\n\n\n

Curated by Cesare Biasini Selvaggi, the exhibition is open to the public from 25 September 2026 to 30 January 2027<\/strong> and presents, for the first time in Italy, a series of paintings on silk created by the artist between 2023 and 2025.<\/p>\n\n\n\n

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Emma Talbot portrait \u00a9photoSaraSassiOKNOstudio <\/figcaption><\/figure>\n<\/div>\n\n\n

The exhibition offers a profound reflection on the visceral and philosophical nature of transformation, understood as a perpetual flow that unites human experience and the matter of the natural world. Starting from the Einsteinian principle that \u00abeverything is energy\u00bb \u2013 an indivisible, shared force that cannot be extinguished, but is destined for perpetual metamorphosis \u2013 the works on display combine figuration, abstraction and decorative motifs to map the invisible dynamics that traverse space and the psyche.<\/p>\n\n\n\n

In this research, nature reveals itself as both ancient and radically contemporary: a witnessing entity, whose elements \u2013 from millenary rocks to floating waves \u2013 balance the fragile with the monumental.<\/p>\n\n\n\n

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Emma Talbot, Everything is Energy. Always in Transformation, 2025, acrilico su seta, 210 x 150 x 2,5 cm. Foto Damian Griffiths<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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Emma Talbot, Everything is Energy. Ancient Spirits, 2025, acrilico su seta, 210 x 150 x 2,5 cm. Foto Damian Griffiths<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n

Talbot\u2019s human figures, faceless and structured as true avatars, move within dreamlike settings. Endowed with multiple limbs and expanded anatomies, these almost hybrid subjects float, fall and perform simultaneous actions, going beyond the literal nature of the human body to convey the complexity of our mental states, projections and memories.<\/p>\n\n\n\n

\u00abIn open dialogue with posthuman theories and moving beyond the anthropocentric perspective\u00bb, writes curator Cesare Biasini Selvaggi, \u00abTalbot\u2019s work challenges the presumed separation between humankind and the cosmos, placing us within a complex and interconnected inter-species network. In an age marked by technological acceleration and ecological crisis, Talbot\u2019s painting reminds us how virtual imagery and artificial intelligence extensively depend on the Earth\u2019s physical resources. Ancestral Energies<\/em> thus invites the viewer to rediscover a sense of wonder for the natural world and to embrace a shared responsibility, suggesting that only by recognising our profound integration with matter can we envision a sustainable future\u00bb.<\/p>\n\n\n\n

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Emma Talbot, Nine Lives, 2023, acrilico su seta, 210 x 155 cm<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n
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Emma Talbot, Sorceress, 2023, acrilico su seta, 213 x 153 cm<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n\n

Emma Talbot,<\/strong> born in 1969 in Stourbridge, England, is a contemporary artist who lives and works between London and Italy. Her practice encompasses painting, drawing, animation, sculpture and installations on silk, through which she creates large-scale visual narratives. Her work often originates from personal experiences and memories, which intertwine with literary, poetic and philosophical references, transforming into universal narratives. Her recurring themes range from eco-politics to feminist theories, to reflections on human fragility and vulnerability. Talbot uses an immediate and immersive language, capable of making emotions and inner thoughts visible, creating environments that engage the viewer on an emotional and imaginative level. She has received international recognition, including the Max Mara Art Prize for Women, which enabled her to develop a project exhibited at the Whitechapel Gallery in London and the Collezione Maramotti in Reggio Emilia. She also participated in the 2022 Venice Biennale, where she presented works of great visual impact. Her installations, often made with hand-painted fabrics, create a direct dialogue with the viewer, inviting them to reflect on the cycles of life, emotions and the dynamics of contemporary society.<\/p>\n\n\n\n

21Art Padova, Palazzo Colonne, via San Francesco 34, Padova, is open to the public on the following days and hours: Tuesday to Saturday, 10.30 am\u201312.30 pm and 4.00\u20136.00 pm; closed for the holidays from 22 December 2026 to 6 January 2027.<\/p>\n","protected":false},"excerpt":{"rendered":"

21Art Padova presents Ancestral Energies. Transformations of Mind and Matter, a solo exhibition by Emma Talbot (Stourbridge, 1969), one of the most original voices in British art and winner of the Max Mara Art Prize for Women in 2020. Curated by Cesare Biasini Selvaggi, the exhibition is open to the public from 25 September 2026 to 30 January 2027 and presents, for the first time in Italy, a series of paintings on silk created by the artist between 2023 and 2025. The exhibition offers a profound reflection on the visceral and philosophical nature of transformation, understood as a perpetual flow that unites human experience and the matter of the natural world. Starting from the Einsteinian principle that \u00abeverything is energy\u00bb \u2013 an indivisible, shared force that cannot be extinguished, but is destined for perpetual metamorphosis \u2013 the works on display combine figuration, abstraction and decorative motifs to map the invisible dynamics that traverse space and the psyche. In this research, nature reveals itself as both ancient and radically contemporary: a witnessing entity, whose elements \u2013 from millenary rocks to floating waves \u2013 balance the fragile with the monumental. Talbot\u2019s human figures, faceless and structured as true avatars, move within dreamlike settings. Endowed with multiple limbs and expanded anatomies, these almost hybrid subjects float, fall and perform simultaneous actions, going beyond the literal nature of the human body to convey the complexity of our mental states, projections and memories. \u00abIn open dialogue with posthuman theories and moving beyond the anthropocentric perspective\u00bb, writes curator Cesare Biasini Selvaggi, \u00abTalbot\u2019s work challenges the presumed separation between humankind and the cosmos, placing us within a complex and interconnected inter-species network. In an age marked by technological acceleration and ecological crisis, Talbot\u2019s painting reminds us how virtual imagery and artificial intelligence extensively depend on the Earth\u2019s physical resources. Ancestral Energies thus invites the viewer to rediscover a sense of wonder for the natural world and to embrace a shared responsibility, suggesting that only by recognising our profound integration with matter can we envision a sustainable future\u00bb. Emma Talbot, born in 1969 in Stourbridge, England, is a contemporary artist who lives and works between London and Italy. Her practice encompasses painting, drawing, animation, sculpture and installations on silk, through which she creates large-scale visual narratives. Her work often originates from personal experiences and memories, which intertwine with literary, poetic and philosophical references, transforming into universal narratives. Her recurring themes range from eco-politics to feminist theories, to reflections on human fragility and vulnerability. Talbot uses an immediate and immersive language, capable of making emotions and inner thoughts visible, creating environments that engage the viewer on an emotional and imaginative level. She has received international recognition, including the Max Mara Art Prize for Women, which enabled her to develop a project exhibited at the Whitechapel Gallery in London and the Collezione Maramotti in Reggio Emilia. She also participated in the 2022 Venice Biennale, where she presented works of great visual impact. Her installations, often made with hand-painted fabrics, create a direct dialogue with the viewer, inviting them to reflect on the cycles of life, emotions and the dynamics of contemporary society. 21Art Padova, Palazzo Colonne, via San Francesco 34, Padova, is open to the public on the following days and hours: Tuesday to Saturday, 10.30 am\u201312.30 pm and 4.00\u20136.00 pm; closed for the holidays from 22 December 2026 to 6 January 2027.<\/p>\n","protected":false},"author":11,"featured_media":6317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[64],"tags":[610],"class_list":["post-6329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","tag-emma-talbot-2"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t