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    ELENA REDAELLI PRESENTS INTERTIDAL CARAPAXIA – WETLAND FUTURE FOSSILS AT THE 2026 SIANGSHAN WETLAND ART FESTIVAL

    October 9, 2026 / Comments Off on ELENA REDAELLI PRESENTS INTERTIDAL CARAPAXIA – WETLAND FUTURE FOSSILS AT THE 2026 SIANGSHAN WETLAND ART FESTIVAL

    Recycled advertising banners become the white, perforated skin of an imagined organism, inviting attention to the fragile ecology of Hsinchu’s coastal wetland. Visual artist Elena Redaelli presents Intertidal Carapaxia – Wetland Future Fossils, a large-scale, site-responsive sculptural installation at Siangshan Wetland Natural Park. The work is part of the 2026 Siangshan Wetland Art Festival, on view from 2 October to 1 November 2026. Inspired by Taiwan’s endemic fiddler crab and the microscopic architectures of diatoms, Intertidal Carapaxia takes the form of a mysterious organism emerging from the landscape. Modular metal structures support white membranes cut from discarded advertising banners. Their perforated surfaces recall crochet, translating a familiar textile language into…

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    ANA SILVA: Eau

    March 4, 2026

    WHAT TO DO WITH A COLLECTION OF 632 WOOL SKIRTS?

    October 23, 2025

    THE FESTIVAL. MUSEUM OF CIVILIZATIONS AND TRADITIONS OF ROME

    March 29, 2025
  • Exhibitions

    FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

    October 8, 2026 / Comments Off on FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

    An invisible yet profound weave stretches between Sardinia and Tuscany, spun from gestures, interweavings, and community narratives. 45 years after Legarsi alla montagna (To Bind Oneself to the Mountain) – the 1981 collective action with which Maria Lai rewrote the history of public and participatory art in Italy – the concept of art as a vehicle for relationship and listening returns to center stage with the project “From Ulassai to Sansepolcro: Art and Relationship,” organized by CasermArcheologica in close synergy with the Fondazione Stazione dell’Arte in Ulassai. Since September 26, the spaces of the former barracks on Via Aggiunti in Sansepolcro have been hosting Sardinian artists Daniela Frongia and Salvatore…

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    WEAVERBIRDS: ROOTED IN RESILIENCE

    March 2, 2025

    TRAME ESPLORATIVE: A JOURNEY THROUGH TAPESTRY

    January 10, 2025

    STITCHED LINES: THE IRISH LANDSCAPES OF PATRICIA KELLY ON SHOW AT SCD STUDIO PERUGIA

    July 30, 2025
  • Exhibitions

    EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER

    September 23, 2026 / Comments Off on EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER

    21Art Padova presents Ancestral Energies. Transformations of Mind and Matter, a solo exhibition by Emma Talbot (Stourbridge, 1969), one of the most original voices in British art and winner of the Max Mara Art Prize for Women in 2020. Curated by Cesare Biasini Selvaggi, the exhibition is open to the public from 25 September 2026 to 30 January 2027 and presents, for the first time in Italy, a series of paintings on silk created by the artist between 2023 and 2025. The exhibition offers a profound reflection on the visceral and philosophical nature of transformation, understood as a perpetual flow that unites human experience and the matter of the natural…

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    FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

    October 8, 2026

    FULVIO MORELLA. LE STELLE CHE NON TI HO DETTO (THE STARS I NEVER TOLD YOU)

    January 10, 2025

    MICROMACRO IN LUGANO OPENS THE ANNUAL PROGRAM WITH GIULIA SANTAMBROGIO

    January 10, 2025
  • Exhibitions

    I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

    September 23, 2026 / Comments Off on I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

    From September 24 to November 24, 2026, Gilda Contemporary Art, at Via San Maurilio 14 in Milan, presents I Diari del Cigno Nero, Florencia Martinez’s new solo exhibition, curated by Cristina Gilda Artese. The project is the result of nearly a year and a half of research and addresses some of the deepest fractures of the present: war, migration, violence, destruction, control, and displacement. The title draws on the celebrated essay The Black Swan: The Impact of the Highly Improbable by Nassim Nicholas Taleb, reinterpreting its metaphor. If the black swan refers to an unpredictable event capable of radically altering the course of history, the diary becomes here a space…

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    OTOBONG NKANGA: CADENCE, A SITE-SPECIFIC COMMISSION

    March 30, 2025

    TASSONOMIE (TAXONOMIES): MANUELA BIERI AT THE VILLA PIA MUSEUM, PORZA

    October 23, 2025

    THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

    January 27, 2026
  • News

    DE TOUTES BEAUTÉS: TEXTILE ART REANIMATES A HISTORIC MANUFACTORY IN AUBUSSON

    September 22, 2026 / Comments Off on DE TOUTES BEAUTÉS: TEXTILE ART REANIMATES A HISTORIC MANUFACTORY IN AUBUSSON

    From 9 to 31 October 2026, a historic manufactory in Aubusson will once again become a meeting point between textile heritage and contemporary artistic research. The ancienne Manufacture de tapisseries Fougerol, at 67-63 rue Jules Sandeau, will host De toutes beautés, a group exhibition conceived by Les Ateliers de la Main Nue and Les Nouveaux Ateliers Fougerol as part of the Biennale d’Art Textile (FITE) de Clermont-Ferrand. The opening will take place on 9 October, from 5 to 8 pm. The exhibition stems from a desire to intervene in a site deeply connected to the history of French weaving, transforming its spaces into an exhibition route unfolding across interiors, shop…

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    SAN DIEGO’S VISIONS MUSEUM OF TEXTILE ART ACQUIRES CORONA DE PLUMAS BY DEBORAH KRUGER

    July 29, 2026

    WOMEN PULLING AT THE THREADS OF SOCIAL DISCOURSE: THE TEXTILE PROJECT OF THE CAMP GALLERY

    September 10, 2025

    NORDIC TEXTILE TAKEOVER

    September 6, 2025
  • Exhibitions

    THE WAY WORDS TURN: WHEN LANGUAGE BECOMES MATTER

    September 22, 2026 / Comments Off on THE WAY WORDS TURN: WHEN LANGUAGE BECOMES MATTER

    As part of New York Textile Month and the city’s September art and design calendar, Scavolini SoHo Gallery presents The Way Words Turn, an exhibition project by Federica Patera and Andrea Sbra Perego, Italian artists based in New York whose practice brings together textile art, language, sculpture, installation, and research into verbal roots. The project, realized in collaboration with The CAMP Gallery in Miami, was conceived specifically for the Scavolini showroom in SoHo and draws on a selection of works from the Roots series, an ongoing body of research exploring the relationship between linguistic roots, matter, and the construction of reality. Here, the space is not treated as a neutral…

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    ILARIA MARGUTTI: FIGLIE DELL’INFINITO

    February 1, 2025

    ECOLOGIA INTERIORE: GIULIA SPERNAZZA ON VIEW IN ROME

    September 10, 2025

    OLGA DE AMARAL AT THE FONDATION CARTIER POUR L’ART CONTEMPORAIN IN PARIS

    January 9, 2025
  • Exhibitions

    UN TEMPO ALTRO (A DIFFERENT TIME). AESTHETICS OF SLOWNESS

    August 26, 2026 / Comments Off on UN TEMPO ALTRO (A DIFFERENT TIME). AESTHETICS OF SLOWNESS

    AT THE “STELVIO SBARDELLA” PUBLIC LIBRARY IN VALTOPINA, PINHOLE PHOTOGRAPHY AND EMBROIDERY ART EXPLORE THE VALUE OF SLOW TIME VALTOPINA (Perugia, Italy) – In an age dominated by speed, the immediacy of images, and the constant stimulation of the gaze, the international project Un tempo altro. Estetica della lentezza (A Different Time. Aesthetics of Slowness), curated by Barbara Pavan, invites us to rediscover the value of time and waiting. The exhibition will be held at the “Stelvio Sbardella” Public Library in Valtopina from 4 to 6 September 2026, as part of the International Contemporary Fiber Art Biennial of Valtopina and within the programme of the 22nd Embroidery and Textile Exhibition.…

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    ERNESTO NETO: NOSSO BARCO TAMBOR TERRA

    May 15, 2025

    InDIVENIRE (InPROGRESS) OPENS THE CASSANDRE EVENTS CYCLE

    March 3, 2025

    TRAME ESPLORATIVE: A JOURNEY THROUGH TAPESTRY

    January 10, 2025
  • Exhibitions

    SOPERCHI ORNAMENTI

    August 26, 2026 / Comments Off on SOPERCHI ORNAMENTI

    SOPERCHI ORNAMENTI: THE INTERNATIONAL CONTEMPORARY FIBER ART BIENNIAL BRINGS TO THE COUNCIL CHAMBER OF VALTOPINA A REFLECTION ON WOMEN’S HEADWEAR THROUGH THE LENSES OF HISTORY, IDENTITY, AND EMANCIPATION. VALTOPINA (Perugia, Italy) – From 4 to 6 September 2026, the Council Chamber of the Municipality of Valtopina will host Soperchi Ornamenti, an exhibition curated by Barbara Pavan and Monna Lisa Salvati, presented as part of the International Contemporary Fiber Art Biennial, within the programme of the 22nd Embroidery and Textile Exhibition. The exhibition brings together the work of nine internationally recognised women artists – Elham M. Aghili, Jorgelina Alessandrelli, Gloria Campriani, Susanna Cati, Rosita D’Agrosa, Florencia Martinez, Laura Mega, Lucia Bubilda…

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    UN SEME PROFONDO (A DEEP SEED)

    March 3, 2025

    ACAYE KERUNEN: NEENA, AAN UTHII

    January 10, 2025

    CIÒ CHE RESTA: OPERE, TRACCE E ARCHIVI DI ELEONORA GUGLIOTTA (WHAT REMAINS: WORKS, TRACES AND ARCHIVES BY ELEONORA GUGLIOTTA)

    July 2, 2026
  • Exhibitions

    3RD INTERNATIONAL BIENNIAL OF CONTEMPORARY FIBER ART. L’AMOR CHE MOVE IL SOLE E L’ALTRE STELLE

    August 24, 2026 / Comments Off on 3RD INTERNATIONAL BIENNIAL OF CONTEMPORARY FIBER ART. L’AMOR CHE MOVE IL SOLE E L’ALTRE STELLE

    With the third edition of the International Biennial of Contemporary Fiber Art, Valtopina is consolidating an exhibition and research project that, in just a few years, has established itself as one of Italy’s most significant initiatives dedicated to the languages of contemporary fiber art. From 4 September to 8 December 2026, the Museo del Ricamo e del Tessile (Valtopina Museum of Embroidery and Textiles) presents L’Amor che move il sole e l’altre stelle (The Love That Moves the Sun and the Other Stars), curated by Barbara Pavan and coordinated by Maria Mancini. The exhibition is promoted by the Scuola Ricamo di Valtopina (Valtopina Embroidery School) and the Municipality of Valtopina…

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    FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

    October 8, 2026

    PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

    May 13, 2026

    TAMARA KOSTIANOVSKY. “MOVED BY FORCES” AT SLAG&RX NEW YORK

    October 23, 2025
  • Exhibitions

    IN WIEN, MONICA GIOVINAZZI PRESENTS BEHIND, AN EXPLORATION OF IMAGINATION, MATTER, AND TRANSFORMATION

    August 24, 2026 / Comments Off on IN WIEN, MONICA GIOVINAZZI PRESENTS BEHIND, AN EXPLORATION OF IMAGINATION, MATTER, AND TRANSFORMATION

    From 10 to 25 September 2026, KABLLO.AT presents BEHIND, an exhibition project by Monica Giovinazzi. Curated by Barbara Pavan, the exhibition opens on Thursday, 10 September 2026 at 6:00 pm at Postgasse 11 in Wien. THE EXHIBITION The exhibition brings together works created through different media and materials – from drawing to three-dimensional forms, from colour to reclaimed materials – revealing a practice characterised by a sustained attention to the transformation of matter and to upcycling. The point of departure for BEHIND is a condition typical of the present: we live surrounded by images that have already been constructed, interpreted, and made instantly available. In a visual universe dominated by…

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    ACAYE KERUNEN: NEENA, AAN UTHII

    January 10, 2025

    INTRINSIC BEAUTY: CELEBRATING THE ART OF TEXTILES

    March 30, 2025

    I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

    September 23, 2026
 Older Posts

FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER

I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

THE WAY WORDS TURN: WHEN LANGUAGE BECOMES MATTER

UN TEMPO ALTRO (A DIFFERENT TIME). AESTHETICS OF SLOWNESS

SOPERCHI ORNAMENTI

IN WIEN, MONICA GIOVINAZZI PRESENTS BEHIND, AN EXPLORATION OF IMAGINATION, MATTER, AND TRANSFORMATION

3RD INTERNATIONAL BIENNIAL OF CONTEMPORARY FIBER ART. L’AMOR CHE MOVE IL SOLE E L’ALTRE STELLE

LA KUNST HALLE SANKT GALLEN PRESENTA OCTOGONE DI CHALISÉE NAAMANI

KUNST HALLE SANKT GALLEN PRESENTS OCTOGONE BY CHALISÉE NAAMANI

RUFINA BAZLOVA AT BIENNALE MATTER OF ART 2026: EMBROIDERY AS AN ARCHIVE OF MEMORY AND AN ACT OF RESISTANCE

CIÒ CHE RESTA: OPERE, TRACCE E ARCHIVI DI ELEONORA GUGLIOTTA (WHAT REMAINS: WORKS, TRACES AND ARCHIVES BY ELEONORA GUGLIOTTA)

Scorie Microcosmiche, Prototipi - Eleonora Gugliotta

AN EXHIBITION IN GOLFO ARANCI TELLS THE STORY OF MAGIC CARPET, GIULIO LOCATELLI’S PARTICIPATORY ART PROJECT

EXTINCTIONS. DEBORAH KRUGER AND THE GEOGRAPHIES OF LOSS AT MUMA, MACCAGNO

ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

ANA SILVA: Eau

THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

View of the exhibition "Amy Usdin: After All" installed in U.S. Bank Gallery at Minneapolis Institute of Art. Exhibition on view at Mia November 22, 2025 - February 22, 2026.

FILO-DIFFUSIONE_&: THE NEW EXHIBITION AT ATHENS’ GRAMMA_EPSILON

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