txtilezine

txtilezine
  • About us
  • Contacts
  • Artists
  • News
  • Shop
  • English
  • About us
  • Contacts
  • Artists
  • News
  • Shop
  • English
  • About us
  • Contacts
  • Artists
  • News
  • Shop
  • English
  • Exhibitions

    PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

    May 13, 2026 / Comments Off on PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

    Through July 5, 2026, GAM Galleria d’Arte Moderna presents Παρνασσός Parnassus, a new site-specific installation by LETIA – Letizia Cariello, on view in the museum’s historic Sala del Parnaso. The project marks the first public museum presentation in Milan of the artist’s work, developed in the city where she has lived and worked since her formative years. The installation takes the form of a large, lightweight architectural structure in golden aluminum: an open framework that can be visually crossed from every angle, conceived in constant dialogue with the room’s neoclassical setting and the garden visible through the villa’s windows. More than a self-contained sculpture, the work functions as a mental…

    read more
    Editorial team

    You May Also Like

    LUCIANA AIRONI. AbbeceDiariu

    January 8, 2025

    UNTAMED WEAVES: THE TEXTILE IMAGINARY OF “L’ÉTOFFE DES RÊVES” AT HALLE SAINT PIERRE

    November 7, 2025

    NIGRI CORVI PARTURIENT ALBAS COLUMBAS: GENEALOGIES OF ILLUSION IN MAGDALENA FERMINA’S ANTHOLOGICAL EXHIBITION

    September 10, 2025
  • Artists

    STITCHING MEMORY AND BELONGING: IN CONVERSATION WITH SHAMILLA AASHA

    May 13, 2026 / Comments Off on STITCHING MEMORY AND BELONGING: IN CONVERSATION WITH SHAMILLA AASHA

    Shamilla Aasha (Hwange, 1977) is a Zimbabwean artist and educator based in Bulawayo, whose practice unfolds at the intersection of painting, textile art, and mixed-media experimentation. Her work is distinguished by a richly layered and deeply symbolic visual language through which she explores themes of cultural identity, spirituality, memory, and the condition of women in contemporary Zimbabwe. Trained at the Bulawayo School of Art & Design, where she earned a Diploma in Textile Design in 2000, Aasha has developed an artistic practice that transcends traditional disciplinary boundaries, moving fluidly between painting, embroidery, assemblage, textile installation, and soft sculpture. Central to her research is the reclaiming of textile as a space…

    read more
    Editorial team

    You May Also Like

    SONIA PISCICELLI IZN

    January 25, 2025

    WEAVES THE FUTURE: THE ARTISTIC RESEARCH OF KATSURA TAKASUKA

    March 2, 2025

    ALICJA KOZŁOWSKA

    February 10, 2025
  • Exhibitions

    KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

    May 13, 2026 / Comments Off on KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

    With KRYPTOS, SCD Studio (Perugia) presents the recent research of Susanna Cati. Curated by Barbara Pavan, the exhibition unfolds as a traversal of the inner geographies of memory, developing a path in which autobiographical elements expand into a shared dimension. The works construct a space of resonance, activating a dialogue between interiority and history, between trace and transformation. The project is accompanied by a bilingual Italian/English catalogue published by Al3vie Editore. The exhibition will be open to the until 9 September 2026. KRYPTOS gathers Cati’s most recent research: a deeply introspective investigation which, while rooted in the artist’s autobiographical dimension, opens onto a broader and shared reflection on the human…

    read more
    Editorial team

    You May Also Like

    NEW YORK TEXTILE MONTH: TEN YEARS OF RESEARCH, INNOVATION, AND TEXTILE CULTURE

    August 30, 2025

    OTOBONG NKANGA: CADENCE, A SITE-SPECIFIC COMMISSION

    March 30, 2025

    PASCAL MONTEIL: PRIX MARATIER AT MAHJ

    September 10, 2025
  • Exhibitions

    ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

    May 12, 2026 / Comments Off on ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

    Gilda Contemporary Art presents Antigone by Ilaria Margutti, curated by Cristina Gilda Artese, in its spaces on Via San Maurilio 14 in Milan, on view until June 30, 2026. The exhibition unfolds embroidery as a practice of thought, transforming it into a conceptual and temporal device. Within the project, the slow, repetitive, and carefully sedimented gesture becomes the generative core of a research process that distances artistic making from the logic of immediacy, restoring an expanded temporality in which form and thought are co-produced. The work develops around a reading of the feminine that is not image or representation, but rather an originary principle, a field of potentiality and open…

    read more
    Editorial team

    You May Also Like

    GRANO SALIS: THE CONCEPTUAL ART OF MARGHERITA LEVO ROSENBERG IN CERVIA

    March 2, 2025

    InDIVENIRE (InPROGRESS) OPENS THE CASSANDRE EVENTS CYCLE

    March 3, 2025

    ECOLOGIA INTERIORE: GIULIA SPERNAZZA ON VIEW IN ROME

    September 10, 2025
  • Exhibitions

    FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

    April 15, 2026 / Comments Off on FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

    What is the nature of a threshold? To what extent can seemingly univocal elements such as a door or a wall be reinterpreted as symbolic devices, capable of redefining the relationships between space, body, and perception? These questions underpin Puertas y Paredes, an installation and performance project by Florencia Martinez, presented by Gilda Contemporary Art as part of the Fuorisalone del Mobile 2026. The work investigates the concept of the boundary, understood not as a fixed condition but as a dynamic field between separation and the possibility of crossing. The structure – measuring 200 × 200 × 20 cm – is composed of wood, wire, textiles, lace, and rope. These…

    read more
    Editorial team

    You May Also Like

    THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

    March 26, 2026

    LE FIL VOYAGEUR. TOLD BY SHEILA HICKS AND MONIQUE LÉVI-STRAUSS

    September 10, 2025

    WEAVERBIRDS: ROOTED IN RESILIENCE

    March 2, 2025
  • Exhibitions

    IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

    April 10, 2026 / Comments Off on IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

    The exhibition WHERE MY SOUL COMPILES presents works by Laura Mega and Daniel Pešta at Garibaldi Gallery in Venice, curated by Chiara ModIca Donà dalle Rose and promoted by Fondazione Donà dalle Rose in collaboration with MuMo – Museum Montanelli, Prague. The project develops an existential and psychological inquiry into the idea of a place – real or symbolic – where the soul gathers, recomposes itself, and ultimately expresses its deepest truth. In a present marked by fragmentation, instability, and widespread conflict, this reflection takes on particular urgency, pointing to the need for an inner space of stillness, emotional clarity, and genuine belonging. The title emerges from the intersection of…

    read more
    Editorial team

    You May Also Like

    MICROMACRO IN LUGANO OPENS THE ANNUAL PROGRAM WITH GIULIA SANTAMBROGIO

    January 10, 2025

    GARGOFANIE

    May 2, 2025

    VULNERABILITY AS RESISTANCE: ELA FIDALGO EXHIBITS AT MARC BIBILONI IN MADRID

    September 10, 2025
  • News

    THE CROATIAN PAVILION BY DUBRAVKA LOŠIĆ AT THE 61ST VENICE BIENNALE

    April 6, 2026 / Comments Off on THE CROATIAN PAVILION BY DUBRAVKA LOŠIĆ AT THE 61ST VENICE BIENNALE

    At the 61st International Art Exhibition of La Biennale di Venezia, Croatia is represented by Dubravka Lošić, a Croatian contemporary artist who has been exhibiting regularly in her country and abroad since 1983. Her practice, developed over more than forty years, combines painting, sculpture and installation, transforming traditional and industrial materials — wool, textiles, iron, bronze — into works rich in meaning and emotional tension. At Palazzo Zorzi, Lošić presents Compelled by Fright and Beauty, a site-specific installation in which the creative cycles produced throughout her career interact with one another and with the exhibition space, giving rise to a unique ecosystem where each element finds its own balance while…

    read more
    Editorial team

    You May Also Like

    THE MEOC ETHNOGRAPHIC MUSEUM OLIVA CARTA CANNAS AND THE AAAPERTO OF AGGIUS

    April 18, 2025

    CHIHARU SHIOTA AND THE ECHO OF THRESHOLDS

    December 1, 2025

    FROM THE LAUSANNE BIENNIAL TO THE PRESENT DAY: THE TOMS PAULI FOUNDATION OF LAUSANNE

    May 30, 2026
  • Calls

    CAMP FIBER CALL 2026

    April 2, 2026 / Comments Off on CAMP FIBER CALL 2026

    THE CAMP GALLERY (791–793 NE 125 St., Miami, FL 33161) is pleased to announce the open call for participation in its annual exhibition “Women Pulling at the Threads of Social Discourse.” The deadline for submissions is May 31, 2026, and the exhibition will take place from October 17 to December 31, 2026. Titled Women Pulling at The Threads of Social Discourse: The Epistle, this edition will unfold across two distinct yet dialoguing sections: one dedicated to letters and the other to large-scale fiber portraits. In its eighth iteration, the project looks back 250 years to the epistolary exchanges between women during the American Revolution. These correspondences embodied a complex interweaving…

    read more
    Editorial team

    You May Also Like

    WORK SPACE BRUSSELS STUDIO RESIDENCY

    May 2, 2025

    GREEN | 2nd EDIZIONE – CALL FOR ARTISTS

    October 23, 2025

    LIGHTHOUSE CALLS

    May 2, 2025
  • Exhibitions

    THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

    March 26, 2026 / Comments Off on THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

    London-based Sarah Myerscough Gallery (18 Balderton Street, Mayfair, London) presents “Thread”, a group exhibition hosted in the Upper & Lower spaces of the Schoolhouse, on view from 27 March to 14 May 2026. The exhibition brings together an international group of artists engaged in exploring thread as material, concept, and expressive tool. Long recognized for its pioneering role in championing material- and process-driven artistic practices, the gallery uses this exhibition to offer a broad, layered reflection on weaving understood not merely as a technique, but as a language capable of embodying deep connections between human experience, memory, and culture. The works on display range from large-scale wall tapestries made of…

    read more
    Editorial team

    You May Also Like

    THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

    February 20, 2026

    UNTAMED WEAVES: THE TEXTILE IMAGINARY OF “L’ÉTOFFE DES RÊVES” AT HALLE SAINT PIERRE

    November 7, 2025

    LOTTOZERO PRESENTS EVERY MONTH I WEAVE, A SOLO EXHIBITION BY LISELORE FROWIJN

    July 13, 2025
  • Exhibitions

    UN TEMPO ALTRO (A Different Time): Contemporary Embroidery Art and Pinhole Photography as an Act of Poetic Resistance

    March 16, 2026 / Comments Off on UN TEMPO ALTRO (A Different Time): Contemporary Embroidery Art and Pinhole Photography as an Act of Poetic Resistance

    From March 28 to April 6, 2026, the Complesso Monumentale di San Domenico in Narni will host the exhibition Un tempo altro – Estetica della lentezza (A Different Time – The Aesthetics of Slowness), curated by Barbara Pavan. The exhibition is presented as part of NARNIMMAGINARIA – Still Moving | Festival Internazionale di Fotografia Stenopeica (NARNIMMAGINARIA – Still Moving | International Pinhole Photography Festival), promoted by Associazione SATOR APS with the patronage of the Comune di Narni. The exhibition brings pinhole photography and contemporary embroidery into dialogue through a series of works created collaboratively by photographers and embroidery artists, proposing a reflection on the value of slowness as both an…

    read more
    Editorial team

    You May Also Like

    TAMARA KOSTIANOVSKY. “MOVED BY FORCES” AT SLAG&RX NEW YORK

    October 23, 2025

    INTRINSIC BEAUTY: CELEBRATING THE ART OF TEXTILES

    March 30, 2025

    OLGA DE AMARAL AT THE FONDATION CARTIER POUR L’ART CONTEMPORAIN IN PARIS

    January 9, 2025
 Older Posts

ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

ANA SILVA: Eau

THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

View of the exhibition "Amy Usdin: After All" installed in U.S. Bank Gallery at Minneapolis Institute of Art. Exhibition on view at Mia November 22, 2025 - February 22, 2026.

FILO-DIFFUSIONE_&: THE NEW EXHIBITION AT ATHENS’ GRAMMA_EPSILON

  • Artists
  • Calls
  • Exhibitions
  • News
TXtileZine
TXtile Zine di Fiber Art
  • Contacts
  • Privacy Policy
Ashe Theme by WP Royal.
Gestisci Consenso
Per fornire le migliori esperienze, utilizziamo tecnologie come i cookie per memorizzare e/o accedere alle informazioni del dispositivo. Il consenso a queste tecnologie ci permetterà di elaborare dati come il comportamento di navigazione o ID unici su questo sito. Non acconsentire o ritirare il consenso può influire negativamente su alcune caratteristiche e funzioni.
Funzionale Always active
L'archiviazione tecnica o l'accesso sono strettamente necessari al fine legittimo di consentire l'uso di un servizio specifico esplicitamente richiesto dall'abbonato o dall'utente, o al solo scopo di effettuare la trasmissione di una comunicazione su una rete di comunicazione elettronica.
Preferenze
L'archiviazione tecnica o l'accesso sono necessari per lo scopo legittimo di memorizzare le preferenze che non sono richieste dall'abbonato o dall'utente.
Statistiche
L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici. L'archiviazione tecnica o l'accesso che viene utilizzato esclusivamente per scopi statistici anonimi. Senza un mandato di comparizione, una conformità volontaria da parte del vostro Fornitore di Servizi Internet, o ulteriori registrazioni da parte di terzi, le informazioni memorizzate o recuperate per questo scopo da sole non possono di solito essere utilizzate per l'identificazione.
Marketing
L'archiviazione tecnica o l'accesso sono necessari per creare profili di utenti per inviare pubblicità, o per tracciare l'utente su un sito web o su diversi siti web per scopi di marketing simili.
  • Manage options
  • Manage services
  • Manage {vendor_count} vendors
  • Read more about these purposes
Visualizza le preferenze
  • {title}
  • {title}
  • {title}
  • English