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    BETTY SALLUCE. CARTOGRAPHY OF RELATION

    October 23, 2026 / Comments Off on BETTY SALLUCE. CARTOGRAPHY OF RELATION

    | by Sabino Maria Frassà | Every artist inherits a form of memory. For some, it takes the shape of a technique; for others, of a place, a language, or a tradition. For Betty Salluce (an artist born in Matera in 1992), memory is never simply an archive of the past, but rather a process of sedimentation: the way experiences, images, gestures, and landscapes continue to work within us over time, until they find a shared form. It is within this slow transformation that the thread emerges as a defining element of her practice. Not as a decorative choice, nor as the revival of a craft tradition, but as a…

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    Sabino Maria Frassa'

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    CHIACHIO & GIANNONE: TEXTILE GENEALOGIES, DOMESTIC IRONY AND THREADS OF RESISTANCE

    September 12, 2025

    HYBRID CREATURES AND PLURAL IDENTITIES: THE MULTIDIMENSIONAL PRACTICE OF CAROLINE ACHAINTRE

    August 7, 2026

    SERENA GAMBA

    May 5, 2025
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    THE STORY OF FULVIO MORELLA’S STELLAR BRAILLE: A CURTAIN ONTO INFINITY

    June 10, 2026 / Comments Off on THE STORY OF FULVIO MORELLA’S STELLAR BRAILLE: A CURTAIN ONTO INFINITY

    | by Sabino Maria Frassà | In the poetics of Fulvio Morella, embroidery does not illustrate, does not decorate, does not embellish: it writes. It writes for those who do not see with their eyes but continue to see with the heart, within that ‘invisible to the eye’ from The Little Prince, which has accompanied the artist since childhood as a silent truth, never rhetorical, rooted in an emotional education to care for the other. Above all, it writes to bring closer, to include without declaring it, to offer without imposing. The gesture of Fulvio Morella does not arise as a critical statement nor as an ideological stance: it emerges…

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    Sabino Maria Frassa'

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    FLESH, MEMORY AND REGENERATION: TAMARA KOSTIANOVSKY’S TENTACULAR THINKING

    October 22, 2026

    AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    January 24, 2025

    THE CONTINUOUS THREAD, FROM WEAVING TO EMBROIDERY: IN CONVERSATION WITH GRAZIA INSERILLO

    September 11, 2025

KĖDAINIAI LAUNCHES ITS FIRST INTERNATIONAL CONTEMPORARY ART TRIENNIAL “DIALOGUES”

KUNST HALLE SANKT GALLEN PRESENTS OCTOGONE BY CHALISÉE NAAMANI

HOW SLOWLY CAN I WRITE? – FEDERICA PATERA AND ANDREA SBRA PEREGO EXHIBIT AT WEBER & WEBER GALLERY IN TURIN

ELSEWHERE IS ALREADY HERE: REENA SAINI KALLAT AT RICHARD SALTOUN GALLERY, LONDON

FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER

I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

THE WAY WORDS TURN: WHEN LANGUAGE BECOMES MATTER

UN TEMPO ALTRO (A DIFFERENT TIME). AESTHETICS OF SLOWNESS

SOPERCHI ORNAMENTI

IN WIEN, MONICA GIOVINAZZI PRESENTS BEHIND, AN EXPLORATION OF IMAGINATION, MATTER, AND TRANSFORMATION

3RD INTERNATIONAL BIENNIAL OF CONTEMPORARY FIBER ART. L’AMOR CHE MOVE IL SOLE E L’ALTRE STELLE

LA KUNST HALLE SANKT GALLEN PRESENTA OCTOGONE DI CHALISÉE NAAMANI

RUFINA BAZLOVA AT BIENNALE MATTER OF ART 2026: EMBROIDERY AS AN ARCHIVE OF MEMORY AND AN ACT OF RESISTANCE

CIÒ CHE RESTA: OPERE, TRACCE E ARCHIVI DI ELEONORA GUGLIOTTA (WHAT REMAINS: WORKS, TRACES AND ARCHIVES BY ELEONORA GUGLIOTTA)

Scorie Microcosmiche, Prototipi - Eleonora Gugliotta

AN EXHIBITION IN GOLFO ARANCI TELLS THE STORY OF MAGIC CARPET, GIULIO LOCATELLI’S PARTICIPATORY ART PROJECT

EXTINCTIONS. DEBORAH KRUGER AND THE GEOGRAPHIES OF LOSS AT MUMA, MACCAGNO

ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

ANA SILVA: Eau

THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

View of the exhibition "Amy Usdin: After All" installed in U.S. Bank Gallery at Minneapolis Institute of Art. Exhibition on view at Mia November 22, 2025 - February 22, 2026.

FILO-DIFFUSIONE_&: THE NEW EXHIBITION AT ATHENS’ GRAMMA_EPSILON

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