| by Sabino Maria Frassà | In the poetics of Fulvio Morella, embroidery does not illustrate, does not decorate, does not embellish: it writes. It writes for those who do not see with their eyes but continue to see with the heart, within that ‘invisible to the eye’ from The Little Prince, which has accompanied the artist since childhood as a silent truth, never rhetorical, rooted in an emotional education to care for the other. Above all, it writes to bring closer, to include without declaring it, to offer without imposing. The gesture of Fulvio Morella does not arise as a critical statement nor as an ideological stance: it emerges…