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    THE LIVING AND ACTIVE ART OF PATRIZIA BENEDETTA FRATUS

    March 17, 2025 / Comments Off on THE LIVING AND ACTIVE ART OF PATRIZIA BENEDETTA FRATUS

    | by Barbara Pavan | With Indre and the Medee project—her two most recent interventions—Patrizia Benedetta Fratus (Palosco, 1960) reaffirms her commitment to participatory art, exploring and seeking new individual, social, and political relational dynamics as alternatives to those experimented with so far. An artivist active for years on both the national and international scene, Fratus has always been convinced that art represents a tool for transformation and evolution, both on an individual and collective level, with significant social and political implications. She favors the use of discarded materials to create works and interventions that actively engage those who contribute to their realization, making them an integral and living part…

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    Barbara Pavan

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    GISELLA CHAUDRY

    March 17, 2025

    TEXTILES IN ENCOUNTER: JAIME POBLETE 2024–2025

    January 28, 2026

    SONIA PISCICELLI IZN

    January 25, 2025
  • Artists

    GISELLA CHAUDRY

    March 17, 2025 / Comments Off on GISELLA CHAUDRY

    | by Barbara Pavan | Gisella Chaudry was born in Palermo in 1989 and has been living in Turin for several years. Growing up in a family shaped by the fusion of two cultures—her Pakistani father’s and her Sicilian mother’s—nurtured in her a profound sensitivity toward themes of identity and social disparity, which are central to her artistic research. Her practice is an inquiry into the human condition, an attempt to reconnect with the primordial roots of existence through a visual language that explores the relationship between the individual and the cosmos. The artist employs diverse techniques, including combustion, embroidery, and installation—tools through which she constructs narratives suspended between reality…

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    Barbara Pavan

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    ALLISON HUDSON: THE ALCHEMY OF TRANSFORMATION

    June 14, 2025

    AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    January 24, 2025

    IN CONVERSATION WITH GUDRUN BARTENBERGER-GEYER

    October 25, 2025
  • Artists

    AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    January 24, 2025 / Comments Off on AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    | by Maria Rosaria Roseo | Ai Kijima, a Japanese artist from Tokyo, has transformed her passion for textiles into unique and captivating works of art. Trained at the School of the Art Institute of Chicago, Kijima currently lives and works between Istanbul and Brooklyn, where she continues to explore and merge her multicultural experiences into textile collages that tell stories of cultures and identities. A Passion for Fabric and Visual Storytelling Ai Kijima’s works are the result of a creative process involving a wide range of heterogeneous materials, from vintage kimonos to children’s bed linens, second-hand clothes, and traditional fabrics. Her work is a collage of stories and meanings,…

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    Maria Rosaria Roseo

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    CRYSTAL GREGORY: THE WEAVE OF MOVEMENT

    January 28, 2026

    ISABELLA DUCROT: THE ART OF FABRIC BETWEEN RESEARCH AND POETIC MEDITATION

    January 24, 2025

    CHRISTELLE JEANNE LACOMBE: THE ART OF WEAVING THREADS AND WORDS

    February 12, 2025
  • Artists

    JULIA COUZENS: FROM PAINTING TO SCULPTURE, THE EVOLUTION OF A VISIONARY ARTIST

    January 8, 2025 / Comments Off on JULIA COUZENS: FROM PAINTING TO SCULPTURE, THE EVOLUTION OF A VISIONARY ARTIST

    | by Maria Rosaria Roseo | Art is an ever-evolving journey, a boundless quest through forms, materials and meanings. This is the case of a visionary artist whose career began in the world of painting and then unexpectedly and fascinatingly landed in sculpture, using textiles as her main medium. Julia Couzens, born and raised in Auburn, California, received her MFA in 1990 from UC Davis. She currently lives and works between Merritt Island on the Sacramento River and Los Angeles. http://www.juliacouzens.com/ ART AS A FLUID AND INDEFINABLE PROCESS This artist’s practice is distinguished by a plastic, “contaminated” and fluid approach that defies convention. “I don’t need to call something ‘painting’…

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    Maria Rosaria Roseo

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    FARIBA BOROUFAR

    January 7, 2025

    OLGA TEKSHEVA AND THE REBELLIOUS GRAMMAR OF MATERIALS

    May 5, 2025

    THE LIVING AND ACTIVE ART OF PATRIZIA BENEDETTA FRATUS

    March 17, 2025
  • Artists

    FARIBA BOROUFAR

    January 7, 2025 / Comments Off on FARIBA BOROUFAR

    | by Barbara Pavan | Fariba Boroufar, an artist whose works bridge the gap between tradition and modernity, uses the ancient art of weaving to explore and reinterpret the rich cultural and architectural history of Iran. Her artistic journey reflects a deep engagement with both the tangible and intangible aspects of her heritage, imbuing her textile works with a profound sense of cultural memory while addressing contemporary issues such as architectural degradation and the loss of identity. For Boroufar, being an artist means more than just the creation of objects; it is about offering new perspectives on reality. “Innovation means a new look into reality,” she explains. “The artist acts…

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    Barbara Pavan

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    ADELINE CONTRERAS: SENSORIAL TRACES BETWEEN MEMORY AND MATERIAL

    February 12, 2025

    JULIA COUZENS: FROM PAINTING TO SCULPTURE, THE EVOLUTION OF A VISIONARY ARTIST

    January 8, 2025

    LAYERS OF MEANING: THE ARTISTIC UNIVERSE OF NICOLE HAVEKOST

    September 11, 2025

SOPERCHI ORNAMENTI: HEADWEAR BETWEEN ARTISTIC RESEARCH AND POLITICAL GESTURE ON VIEW IN PERUGIA

ASTRA CODEX: DANIELE DAVITTI’S TEXTILE ZODIAC AT PALAZZO CAPPONI IN FLORENCE

PUNTI DI CONTATTO. RESTIAMO IN ASCOLTO: BETTY SALLUCE ON SHOW IN MILAN

LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

FILO-DIFFUSIONE_&: THE NEW EXHIBITION AT ATHENS’ GRAMMA_EPSILON

THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

ANNI ALBERS. CONSTRUCTING TEXTILES

MAGDALENA ABAKANOWICZ: LA TRAME DE L’EXISTENCE

CERTAIN RESTRICTIONS DO APPLY: CAROLYN MAZLOOMI AND SHARON KERRY-HARLAN AT CLAIRE OLIVER GALLERY

BARBARA PRENKA: WHAT LIES BEHIND THE BOUNDARIES OF A SHADOW?

MATT MULLICAN. THAT PERSON’S HEAVEN

UNTAMED WEAVES: THE TEXTILE IMAGINARY OF “L’ÉTOFFE DES RÊVES” AT HALLE SAINT PIERRE

FILO-DIFFUSIONE: TWO EXHIBITIONS IN ATHENS EXPLORING THE THREAD BETWEEN MATER AND LOGOS

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TASSONOMIE (TAXONOMIES): MANUELA BIERI AT THE VILLA PIA MUSEUM, PORZA

NINE INTERNATIONAL ARTISTS REINVENT THE BOOK ON A LARGE SCALE: “CONTEMPORARY VOLUMES” AT THE MORRIS MUSEUM

MARION BARUCH – UN PASSO AVANTI TANTI DIETRO (ONE STEP FORWARD, MANY BACK)

YUJI MIZUTA – SIMULACRUM / BREATH OF HAZE

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TAMARA KOSTIANOVSKY. “MOVED BY FORCES” ALLA SLAG&RX NEW YORK

LE FIL VOYAGEUR

PASCAL MONTEIL: PRIX MARATIER AT MAHJ

RAMEKON O’ARWISTERS: SCHISM

MIRIAM MEDREZ: WEAVE UNFOLD PLEAT

ECOLOGIA INTERIORE: GIULIA SPERNAZZA ON VIEW IN ROME

MAŁGORZATA MIRGA-TAS

LOTTOZERO PRESENTS EVERY MONTH I WEAVE, A SOLO EXHIBITION BY LISELORE FROWIJN

ERNESTO NETO: NOSSO BARCO TAMBOR TERRA

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