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    THE LIVING AND ACTIVE ART OF PATRIZIA BENEDETTA FRATUS

    March 17, 2025 / Comments Off on THE LIVING AND ACTIVE ART OF PATRIZIA BENEDETTA FRATUS

    | by Barbara Pavan | With Indre and the Medee project—her two most recent interventions—Patrizia Benedetta Fratus (Palosco, 1960) reaffirms her commitment to participatory art, exploring and seeking new individual, social, and political relational dynamics as alternatives to those experimented with so far. An artivist active for years on both the national and international scene, Fratus has always been convinced that art represents a tool for transformation and evolution, both on an individual and collective level, with significant social and political implications. She favors the use of discarded materials to create works and interventions that actively engage those who contribute to their realization, making them an integral and living part…

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    Barbara Pavan

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    CONSTRUCTING DWELLING: IN CONVERSATION WITH MARO FASOULI

    March 17, 2026

    LIVING TEXTILES: THE IMMERSIVE PRACTICE OF KATSURA TAKASUKA

    May 24, 2026

    AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    January 24, 2025
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    GISELLA CHAUDRY

    March 17, 2025 / Comments Off on GISELLA CHAUDRY

    | by Barbara Pavan | Gisella Chaudry was born in Palermo in 1989 and has been living in Turin for several years. Growing up in a family shaped by the fusion of two cultures—her Pakistani father’s and her Sicilian mother’s—nurtured in her a profound sensitivity toward themes of identity and social disparity, which are central to her artistic research. Her practice is an inquiry into the human condition, an attempt to reconnect with the primordial roots of existence through a visual language that explores the relationship between the individual and the cosmos. The artist employs diverse techniques, including combustion, embroidery, and installation—tools through which she constructs narratives suspended between reality…

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    Barbara Pavan

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    MIRIAM MEDREZ

    March 3, 2025

    ALICJA KOZŁOWSKA

    February 10, 2025

    CROSSING RELATIONAL SPACES. IN CONVERSATION WITH CLARA LUISELLI

    May 10, 2025
  • Artists

    AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    January 24, 2025 / Comments Off on AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    | by Maria Rosaria Roseo | Ai Kijima, a Japanese artist from Tokyo, has transformed her passion for textiles into unique and captivating works of art. Trained at the School of the Art Institute of Chicago, Kijima currently lives and works between Istanbul and Brooklyn, where she continues to explore and merge her multicultural experiences into textile collages that tell stories of cultures and identities. A Passion for Fabric and Visual Storytelling Ai Kijima’s works are the result of a creative process involving a wide range of heterogeneous materials, from vintage kimonos to children’s bed linens, second-hand clothes, and traditional fabrics. Her work is a collage of stories and meanings,…

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    Maria Rosaria Roseo

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    LAYERS OF MEANING: THE ARTISTIC UNIVERSE OF NICOLE HAVEKOST

    September 11, 2025

    BETWEEN NATURE AND NARRATIVE: THE TEXTILE WORLDS OF JOANA SCHNEIDER

    June 23, 2026

    KARIN VAN DEL MOLEN: MESHWORK AS PRACTICE. REWEAVING CONTEMPORARY ART THROUGH MAKING-WITH SITE, MATTER, AND MEANING

    May 24, 2026
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    JULIA COUZENS: FROM PAINTING TO SCULPTURE, THE EVOLUTION OF A VISIONARY ARTIST

    January 8, 2025 / Comments Off on JULIA COUZENS: FROM PAINTING TO SCULPTURE, THE EVOLUTION OF A VISIONARY ARTIST

    | by Maria Rosaria Roseo | Art is an ever-evolving journey, a boundless quest through forms, materials and meanings. This is the case of a visionary artist whose career began in the world of painting and then unexpectedly and fascinatingly landed in sculpture, using textiles as her main medium. Julia Couzens, born and raised in Auburn, California, received her MFA in 1990 from UC Davis. She currently lives and works between Merritt Island on the Sacramento River and Los Angeles. http://www.juliacouzens.com/ ART AS A FLUID AND INDEFINABLE PROCESS This artist’s practice is distinguished by a plastic, “contaminated” and fluid approach that defies convention. “I don’t need to call something ‘painting’…

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    Maria Rosaria Roseo

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    ALLISON HUDSON: THE ALCHEMY OF TRANSFORMATION

    June 14, 2025

    IN SYMBIOSIS WITH MOTHER NATURE: THE ART OF TRACEY DEEP

    March 18, 2025

    PATRICIA KELLY AND THE POETRY OF DAILY LINES

    January 23, 2025
  • Artists

    FARIBA BOROUFAR

    January 7, 2025 / Comments Off on FARIBA BOROUFAR

    | by Barbara Pavan | Fariba Boroufar, an artist whose works bridge the gap between tradition and modernity, uses the ancient art of weaving to explore and reinterpret the rich cultural and architectural history of Iran. Her artistic journey reflects a deep engagement with both the tangible and intangible aspects of her heritage, imbuing her textile works with a profound sense of cultural memory while addressing contemporary issues such as architectural degradation and the loss of identity. For Boroufar, being an artist means more than just the creation of objects; it is about offering new perspectives on reality. “Innovation means a new look into reality,” she explains. “The artist acts…

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    Barbara Pavan

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    JACQUELINE SURDELL

    April 19, 2025

    DECONSTRUCTION AND RE-WEAVING IN THE CONTEMPORARY TAPESTRY OF JOHN PAUL MORABITO

    May 30, 2026

    MONUMENTAL AND ETHEREAL, THE “NATURAL SENSITIVITY” OF YU WEN-FU

    July 16, 2026

FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER

I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

THE WAY WORDS TURN: WHEN LANGUAGE BECOMES MATTER

UN TEMPO ALTRO (A DIFFERENT TIME). AESTHETICS OF SLOWNESS

SOPERCHI ORNAMENTI

IN WIEN, MONICA GIOVINAZZI PRESENTS BEHIND, AN EXPLORATION OF IMAGINATION, MATTER, AND TRANSFORMATION

3RD INTERNATIONAL BIENNIAL OF CONTEMPORARY FIBER ART. L’AMOR CHE MOVE IL SOLE E L’ALTRE STELLE

LA KUNST HALLE SANKT GALLEN PRESENTA OCTOGONE DI CHALISÉE NAAMANI

KUNST HALLE SANKT GALLEN PRESENTS OCTOGONE BY CHALISÉE NAAMANI

RUFINA BAZLOVA AT BIENNALE MATTER OF ART 2026: EMBROIDERY AS AN ARCHIVE OF MEMORY AND AN ACT OF RESISTANCE

CIÒ CHE RESTA: OPERE, TRACCE E ARCHIVI DI ELEONORA GUGLIOTTA (WHAT REMAINS: WORKS, TRACES AND ARCHIVES BY ELEONORA GUGLIOTTA)

Scorie Microcosmiche, Prototipi - Eleonora Gugliotta

AN EXHIBITION IN GOLFO ARANCI TELLS THE STORY OF MAGIC CARPET, GIULIO LOCATELLI’S PARTICIPATORY ART PROJECT

EXTINCTIONS. DEBORAH KRUGER AND THE GEOGRAPHIES OF LOSS AT MUMA, MACCAGNO

ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

ANA SILVA: Eau

THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

View of the exhibition "Amy Usdin: After All" installed in U.S. Bank Gallery at Minneapolis Institute of Art. Exhibition on view at Mia November 22, 2025 - February 22, 2026.

FILO-DIFFUSIONE_&: THE NEW EXHIBITION AT ATHENS’ GRAMMA_EPSILON

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