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    JACQUELINE SURDELL

    April 19, 2025 / Comments Off on JACQUELINE SURDELL

    | by Maria Rosaria Roseo | Born and raised in Chicago, Illinois (USA), where she currently lives and works, Jacqueline Surdell is a young woman of many talents—first a professional athlete and later an artist, with a background from the School of the Art Institute of Chicago, where she earned her Master of Fine Arts in Fiber and Material Studies in 2017. Family heritage plays a significant role in Jacqueline Surdell’s work. Her love for art and conceptual practice was passed down to her by her grandmother, a landscape painter. Her passion and interest in materials, their history and origin, and various processing techniques, on the other hand, were inherited…

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    Maria Rosaria Roseo

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    MARTA NERHUS: WHEN METAL BECOMES THREAD AND STORY

    March 3, 2025

    MONUMENTAL AND ETHEREAL, THE “NATURAL SENSITIVITY” OF YU WEN-FU

    July 16, 2026

    OLGA TEKSHEVA AND THE REBELLIOUS GRAMMAR OF MATERIALS

    May 5, 2025
  • Artists

    INTERWEAVINGS OF ART AND SCIENCE: THE ARTISTIC JOURNEY OF A CONTEMPORARY WEAVER

    March 30, 2025 / Comments Off on INTERWEAVINGS OF ART AND SCIENCE: THE ARTISTIC JOURNEY OF A CONTEMPORARY WEAVER

    | by Maria Rosaria Roseo | Rachel (Meyers) Hefferan, an artist from suburban Midwest, USA, graduated from the University of Michigan and earned her MFA from the School of the Art Institute of Chicago. She currently lives and works in rural western Michigan. A weaver, farmer, environmentalist, and fermentation enthusiast, Hefferan uses the loom as a metaphorical tool, balancing between science and magic, to create tapestries—woven abstractions that represent and celebrate the beauty and complexity of microbial life and its process of decomposition and renewal of matter. Mosses, lichens, fungi, and molds, with their metabolic activities of transformation and deconstruction, are the primary sources of inspiration for the artist. Through…

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    Maria Rosaria Roseo

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    MIRIAM MEDREZ

    March 3, 2025

    LIVING TEXTILES: THE IMMERSIVE PRACTICE OF KATSURA TAKASUKA

    May 24, 2026

    THE AESTHETICS OF FRAGILITY: AMY USDIN

    September 11, 2025
  • Artists

    WEAVES THE FUTURE: THE ARTISTIC RESEARCH OF KATSURA TAKASUKA

    March 2, 2025 / Comments Off on WEAVES THE FUTURE: THE ARTISTIC RESEARCH OF KATSURA TAKASUKA

    |by Maria Rosaria Roseo | Katsura Takasuka was born in Tokyo, Japan, in 1986 and studied textile design, earning his degree from Tokyo Zokei University, where he also completed a master’s program in 2011. Katsura Takasuka’s works focus on the relationship between humans and nature. He explores this complex connection through textiles—their origins and production—deeply rooted in human history. Through meticulous research on materials such as silk, cotton, hemp, and wool, as well as various weaving techniques, Takasuka distances himself from an anthropocentric perspective. His work expresses the need to restore an impartial and balanced vision of the human-nature relationship and their undeniable interdependence. His works have been featured in…

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    Maria Rosaria Roseo

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    MONUMENTAL AND ETHEREAL, THE “NATURAL SENSITIVITY” OF YU WEN-FU

    July 16, 2026

    MARTA NERHUS: WHEN METAL BECOMES THREAD AND STORY

    March 3, 2025

    CRYSTAL GREGORY: THE WEAVE OF MOVEMENT

    February 19, 2026
  • Artists

    ADELINE CONTRERAS: SENSORIAL TRACES BETWEEN MEMORY AND MATERIAL

    February 12, 2025 / Comments Off on ADELINE CONTRERAS: SENSORIAL TRACES BETWEEN MEMORY AND MATERIAL

    | by Barbara Pavan | Adeline Contreras, an artist living and working in France, explores collective memory in her work—”a shared story”, she explains, “linked to our sensory and visual experiences, embedded in a more personal experience. A memory tied to a sensation rather than an event, a recollection that awakens our sensory memory. These resurfacings are the trace of our experiences, sensations connected to the context in which we evolve.” Contreras pursues an artistic inquiry nourished by memory, reclaimed materials, and textile techniques. Her works, tactile and material-based, embody the visible concreteness of a perpetual metamorphosis, hybridizing into polymorphic forms of varying dimensions and materials, hinting at the infinite…

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    Barbara Pavan

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    INTERVIEW WITH ALVARO DIEGO GOMEZ CAMPUZANO

    May 3, 2025

    THE CONTINUOUS THREAD, FROM WEAVING TO EMBROIDERY: IN CONVERSATION WITH GRAZIA INSERILLO

    September 11, 2025

    MICHAEL SYLVAN ROBINSON

    April 19, 2025
  • Artists

    AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    January 24, 2025 / Comments Off on AI KIJIMA: THE ART OF TEXTILE COLLAGE BETWEEN CULTURES AND NARRATIVES

    | by Maria Rosaria Roseo | Ai Kijima, a Japanese artist from Tokyo, has transformed her passion for textiles into unique and captivating works of art. Trained at the School of the Art Institute of Chicago, Kijima currently lives and works between Istanbul and Brooklyn, where she continues to explore and merge her multicultural experiences into textile collages that tell stories of cultures and identities. A Passion for Fabric and Visual Storytelling Ai Kijima’s works are the result of a creative process involving a wide range of heterogeneous materials, from vintage kimonos to children’s bed linens, second-hand clothes, and traditional fabrics. Her work is a collage of stories and meanings,…

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    Maria Rosaria Roseo

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    FARIBA BOROUFAR

    January 7, 2025

    TEXTILES IN ENCOUNTER: JAIME POBLETE 2024–2025

    January 28, 2026

    MARTA NERHUS: WHEN METAL BECOMES THREAD AND STORY

    March 3, 2025
  • Artists

    FARIBA BOROUFAR

    January 7, 2025 / Comments Off on FARIBA BOROUFAR

    | by Barbara Pavan | Fariba Boroufar, an artist whose works bridge the gap between tradition and modernity, uses the ancient art of weaving to explore and reinterpret the rich cultural and architectural history of Iran. Her artistic journey reflects a deep engagement with both the tangible and intangible aspects of her heritage, imbuing her textile works with a profound sense of cultural memory while addressing contemporary issues such as architectural degradation and the loss of identity. For Boroufar, being an artist means more than just the creation of objects; it is about offering new perspectives on reality. “Innovation means a new look into reality,” she explains. “The artist acts…

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    Barbara Pavan

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    MONUMENTAL AND ETHEREAL, THE “NATURAL SENSITIVITY” OF YU WEN-FU

    July 16, 2026

    STITCHING MEMORY AND BELONGING: IN CONVERSATION WITH SHAMILLA AASHA

    May 13, 2026

    DECONSTRUCTION AND RE-WEAVING IN THE CONTEMPORARY TAPESTRY OF JOHN PAUL MORABITO

    May 30, 2026

FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER

I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

THE WAY WORDS TURN: WHEN LANGUAGE BECOMES MATTER

UN TEMPO ALTRO (A DIFFERENT TIME). AESTHETICS OF SLOWNESS

SOPERCHI ORNAMENTI

IN WIEN, MONICA GIOVINAZZI PRESENTS BEHIND, AN EXPLORATION OF IMAGINATION, MATTER, AND TRANSFORMATION

3RD INTERNATIONAL BIENNIAL OF CONTEMPORARY FIBER ART. L’AMOR CHE MOVE IL SOLE E L’ALTRE STELLE

LA KUNST HALLE SANKT GALLEN PRESENTA OCTOGONE DI CHALISÉE NAAMANI

KUNST HALLE SANKT GALLEN PRESENTS OCTOGONE BY CHALISÉE NAAMANI

RUFINA BAZLOVA AT BIENNALE MATTER OF ART 2026: EMBROIDERY AS AN ARCHIVE OF MEMORY AND AN ACT OF RESISTANCE

CIÒ CHE RESTA: OPERE, TRACCE E ARCHIVI DI ELEONORA GUGLIOTTA (WHAT REMAINS: WORKS, TRACES AND ARCHIVES BY ELEONORA GUGLIOTTA)

Scorie Microcosmiche, Prototipi - Eleonora Gugliotta

AN EXHIBITION IN GOLFO ARANCI TELLS THE STORY OF MAGIC CARPET, GIULIO LOCATELLI’S PARTICIPATORY ART PROJECT

EXTINCTIONS. DEBORAH KRUGER AND THE GEOGRAPHIES OF LOSS AT MUMA, MACCAGNO

ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

ANA SILVA: Eau

THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

View of the exhibition "Amy Usdin: After All" installed in U.S. Bank Gallery at Minneapolis Institute of Art. Exhibition on view at Mia November 22, 2025 - February 22, 2026.

FILO-DIFFUSIONE_&: THE NEW EXHIBITION AT ATHENS’ GRAMMA_EPSILON

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