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    JACQUELINE SURDELL

    April 19, 2025 / Comments Off on JACQUELINE SURDELL

    | by Maria Rosaria Roseo | Born and raised in Chicago, Illinois (USA), where she currently lives and works, Jacqueline Surdell is a young woman of many talents—first a professional athlete and later an artist, with a background from the School of the Art Institute of Chicago, where she earned her Master of Fine Arts in Fiber and Material Studies in 2017. Family heritage plays a significant role in Jacqueline Surdell’s work. Her love for art and conceptual practice was passed down to her by her grandmother, a landscape painter. Her passion and interest in materials, their history and origin, and various processing techniques, on the other hand, were inherited…

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    Maria Rosaria Roseo

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    AGATA CIECHOMSKA: COLOR IN MOTION AS AN ARCHITECTURE OF PERCEPTION

    August 7, 2026

    CROSSING RELATIONAL SPACES. IN CONVERSATION WITH CLARA LUISELLI

    May 10, 2025

    WEAVES OF MEANING: THE ART OF ANNEKE KLEIN BETWEEN MINIMALISM AND SOCIAL AWARENESS

    September 12, 2025
  • Artists

    INTERWEAVINGS OF ART AND SCIENCE: THE ARTISTIC JOURNEY OF A CONTEMPORARY WEAVER

    March 30, 2025 / Comments Off on INTERWEAVINGS OF ART AND SCIENCE: THE ARTISTIC JOURNEY OF A CONTEMPORARY WEAVER

    | by Maria Rosaria Roseo | Rachel (Meyers) Hefferan, an artist from suburban Midwest, USA, graduated from the University of Michigan and earned her MFA from the School of the Art Institute of Chicago. She currently lives and works in rural western Michigan. A weaver, farmer, environmentalist, and fermentation enthusiast, Hefferan uses the loom as a metaphorical tool, balancing between science and magic, to create tapestries—woven abstractions that represent and celebrate the beauty and complexity of microbial life and its process of decomposition and renewal of matter. Mosses, lichens, fungi, and molds, with their metabolic activities of transformation and deconstruction, are the primary sources of inspiration for the artist. Through…

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    Maria Rosaria Roseo

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    ISABELLA DUCROT: THE ART OF FABRIC BETWEEN RESEARCH AND POETIC MEDITATION

    January 24, 2025

    CHRISTELLE JEANNE LACOMBE: THE ART OF WEAVING THREADS AND WORDS

    February 12, 2025

    CROSSING RELATIONAL SPACES. IN CONVERSATION WITH CLARA LUISELLI

    May 10, 2025
  • Exhibitions

    UN SEME PROFONDO (A DEEP SEED)

    March 3, 2025 / Comments Off on UN SEME PROFONDO (A DEEP SEED)

    Starting Tuesday, March 4, 2025, Studio Masiero in Milan, IT, presents Un seme profondo (A Deep Seed), a solo exhibition by Grazia Inserillo, curated by Gianna Panicola. With this exhibition, the gallery reaffirms its commitment to Sicilian art by welcoming an artist deeply rooted in her homeland’s traditions. Born in Isola delle Femmine (PA), Inserillo draws inspiration from fishing and embroidery, two pillars of local culture. For the first time, Studio Masiero hosts a fiber art exhibition, a medium through which the artist explores the natural world. Thread and fabric become tools of investigation, evoking plant forms that range from past geological eras to marine mosses. Trained as a sculptor,…

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    Editorial team

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    LE FIL VOYAGEUR. TOLD BY SHEILA HICKS AND MONIQUE LÉVI-STRAUSS

    September 10, 2025

    LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

    January 27, 2026

    PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

    May 13, 2026
  • Exhibitions

    InDIVENIRE (InPROGRESS) OPENS THE CASSANDRE EVENTS CYCLE

    March 3, 2025 / Comments Off on InDIVENIRE (InPROGRESS) OPENS THE CASSANDRE EVENTS CYCLE

    SCD Studio celebrates International Women’s Rights Day with the opening of the CASSANDRE project, an exhibition series that explores, through contemporary art, the multifaceted aspects of the female condition. The first event, the exhibition InDivenire (InProgress) opens on 8th March 2025 in the gallery of Via Bramante 22N in Perugia (5:00 PM) and will be open until 5th April 2025. Curated by Barbara Pavan, it includes the works of Isobel Blank, Susanna Cati, Monica Giovinazzi, and Andi Kacziba, artists who, through different media and languages, investigate the concept of transformation. InDivenire is indeed inspired by the Sanskrit concept of samskara, a term that encompasses the meanings of “transformation,” “modification,” and…

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    Editorial team

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    LATIFA ZAFAR ATTAII: I COULD SEE FLOWERS

    March 1, 2025

    NINE INTERNATIONAL ARTISTS REINVENT THE BOOK ON A LARGE SCALE: “CONTEMPORARY VOLUMES” AT THE MORRIS MUSEUM

    October 23, 2025

    MoMA TO PRESENT AN EXHIBITION THAT WILL EXPLORE THE INTERSECTIONS BETWEEN TEXTILES AND ABSTRACT ART OVER THE PAST HUNDRED YEARS

    March 29, 2025
  • Artists

    ADELINE CONTRERAS: SENSORIAL TRACES BETWEEN MEMORY AND MATERIAL

    February 12, 2025 / Comments Off on ADELINE CONTRERAS: SENSORIAL TRACES BETWEEN MEMORY AND MATERIAL

    | by Barbara Pavan | Adeline Contreras, an artist living and working in France, explores collective memory in her work—”a shared story”, she explains, “linked to our sensory and visual experiences, embedded in a more personal experience. A memory tied to a sensation rather than an event, a recollection that awakens our sensory memory. These resurfacings are the trace of our experiences, sensations connected to the context in which we evolve.” Contreras pursues an artistic inquiry nourished by memory, reclaimed materials, and textile techniques. Her works, tactile and material-based, embody the visible concreteness of a perpetual metamorphosis, hybridizing into polymorphic forms of varying dimensions and materials, hinting at the infinite…

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    Barbara Pavan

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    DANIELE DAVITTI: NAMELESS ART BETWEEN THREAD, FABRIC, AND IMPERFECT BEAUTY

    July 16, 2026

    MARTA NERHUS: WHEN METAL BECOMES THREAD AND STORY

    March 3, 2025

    THE LIVING AND ACTIVE ART OF PATRIZIA BENEDETTA FRATUS

    March 17, 2025
  • Artists

    JULIA COUZENS: FROM PAINTING TO SCULPTURE, THE EVOLUTION OF A VISIONARY ARTIST

    January 8, 2025 / Comments Off on JULIA COUZENS: FROM PAINTING TO SCULPTURE, THE EVOLUTION OF A VISIONARY ARTIST

    | by Maria Rosaria Roseo | Art is an ever-evolving journey, a boundless quest through forms, materials and meanings. This is the case of a visionary artist whose career began in the world of painting and then unexpectedly and fascinatingly landed in sculpture, using textiles as her main medium. Julia Couzens, born and raised in Auburn, California, received her MFA in 1990 from UC Davis. She currently lives and works between Merritt Island on the Sacramento River and Los Angeles. http://www.juliacouzens.com/ ART AS A FLUID AND INDEFINABLE PROCESS This artist’s practice is distinguished by a plastic, “contaminated” and fluid approach that defies convention. “I don’t need to call something ‘painting’…

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    Maria Rosaria Roseo

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    JACQUELINE SURDELL

    April 19, 2025

    ADELINE CONTRERAS: SENSORIAL TRACES BETWEEN MEMORY AND MATERIAL

    February 12, 2025

    WEAVES OF MEANING: THE ART OF ANNEKE KLEIN BETWEEN MINIMALISM AND SOCIAL AWARENESS

    September 12, 2025
  • Artists

    FARIBA BOROUFAR

    January 7, 2025 / Comments Off on FARIBA BOROUFAR

    | by Barbara Pavan | Fariba Boroufar, an artist whose works bridge the gap between tradition and modernity, uses the ancient art of weaving to explore and reinterpret the rich cultural and architectural history of Iran. Her artistic journey reflects a deep engagement with both the tangible and intangible aspects of her heritage, imbuing her textile works with a profound sense of cultural memory while addressing contemporary issues such as architectural degradation and the loss of identity. For Boroufar, being an artist means more than just the creation of objects; it is about offering new perspectives on reality. “Innovation means a new look into reality,” she explains. “The artist acts…

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    Barbara Pavan

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    MATTER, BODY, AND RELATIONALITY: DAVIDE VIGGIANO’S TRANSDISCIPLINARY PRACTICE BETWEEN ECOLOGY AND POSTHUMAN THOUGHT

    June 23, 2026

    BETTY SALLUCE. CARTOGRAPHY OF RELATION

    October 23, 2026

    MIRIAM MEDREZ

    March 3, 2025

KĖDAINIAI LAUNCHES ITS FIRST INTERNATIONAL CONTEMPORARY ART TRIENNIAL “DIALOGUES”

KUNST HALLE SANKT GALLEN PRESENTS OCTOGONE BY CHALISÉE NAAMANI

HOW SLOWLY CAN I WRITE? – FEDERICA PATERA AND ANDREA SBRA PEREGO EXHIBIT AT WEBER & WEBER GALLERY IN TURIN

ELSEWHERE IS ALREADY HERE: REENA SAINI KALLAT AT RICHARD SALTOUN GALLERY, LONDON

FROM ULASSAI TO SANSEPOLCRO: THREAD AND TEXTILE-PLASTIC MATTER TAKE CENTER STAGE AT CASERMARCHEOLOGICA

EMMA TALBOT. ANCESTRAL ENERGIES. TRANSFORMATIONS OF MIND AND MATTER

I DIARI DEL CIGNO NERO: THE FRAGILITIES OF THE PRESENT IN THE WORKS OF FLORENCIA MARTINEZ

THE WAY WORDS TURN: WHEN LANGUAGE BECOMES MATTER

UN TEMPO ALTRO (A DIFFERENT TIME). AESTHETICS OF SLOWNESS

SOPERCHI ORNAMENTI

IN WIEN, MONICA GIOVINAZZI PRESENTS BEHIND, AN EXPLORATION OF IMAGINATION, MATTER, AND TRANSFORMATION

3RD INTERNATIONAL BIENNIAL OF CONTEMPORARY FIBER ART. L’AMOR CHE MOVE IL SOLE E L’ALTRE STELLE

LA KUNST HALLE SANKT GALLEN PRESENTA OCTOGONE DI CHALISÉE NAAMANI

RUFINA BAZLOVA AT BIENNALE MATTER OF ART 2026: EMBROIDERY AS AN ARCHIVE OF MEMORY AND AN ACT OF RESISTANCE

CIÒ CHE RESTA: OPERE, TRACCE E ARCHIVI DI ELEONORA GUGLIOTTA (WHAT REMAINS: WORKS, TRACES AND ARCHIVES BY ELEONORA GUGLIOTTA)

Scorie Microcosmiche, Prototipi - Eleonora Gugliotta

AN EXHIBITION IN GOLFO ARANCI TELLS THE STORY OF MAGIC CARPET, GIULIO LOCATELLI’S PARTICIPATORY ART PROJECT

EXTINCTIONS. DEBORAH KRUGER AND THE GEOGRAPHIES OF LOSS AT MUMA, MACCAGNO

ILARIA MARGUTTI AT GILDA CONTEMPORARY ART WITH ANTIGONE

KRYPTOS, SUSANNA CATI’S NEW PROJECT ON VIEW IN PERUGIA

PARNASSUS BY LETIA – LETIZIA CARIELLO AT GAM MILAN

FLORENCIA MARTINEZ WITH PUERTAS Y PAREDES AT GILDA CONTEMPORARY ART, MILAN

IN VENICE, LAURA MEGA’S TEXTILE INSTALLATIONS AND THE RECOMPOSITION OF CONTEMPORARY FEELING

THREAD: AT SARAH MYERSCOUGH GALLERY, THREAD AS A LANGUAGE BETWEEN MATERIAL, MEMORY, AND CONTEMPORARY PRACTICE

ANA SILVA: Eau

THE SITUATED BODY: RECONFIGURING THE SYMBOLIC. JACOBO ALONSO AT THE ART & HISTORY MUSEUMS – MAITLAND

LANGUE MATERNELLE, TISSER L’IMMATÉRIEL:WEAVING, LANGUAGE, AND MEMORY IN MARA DI GIAMMATTEO’S EXHIBITION IN BOLOGNA

THE MINNEAPOLIS INSTITUTE OF ART’S NEW EXHIBITION: AMY USDIN’S “AFTER ALL” OFFERS A MOMENT OF REPRIEVE

View of the exhibition "Amy Usdin: After All" installed in U.S. Bank Gallery at Minneapolis Institute of Art. Exhibition on view at Mia November 22, 2025 - February 22, 2026.

FILO-DIFFUSIONE_&: THE NEW EXHIBITION AT ATHENS’ GRAMMA_EPSILON

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